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                  <text>Night of Theatre n°10 (French La Nuit des Idées), an amazing night-long open air theatre of contemporary performing arts and inventive thought, will take place in collaboration with Trimukhi Cultural Centre on March 20 2018 at Vidyasagar University Campus. Directed by Jean-Frédéric Chevallier, of the University of Sorbonne, Paris, this performance combines the tribal myth of creation and inventive philosophical ideas. All interested are invited on behalf of UGC SAP III, Phase II, Department of English, Vidyasagar University to attend this theatrical performance on the evening of 20 March 2018 in the open air theatre in front of the varsity library.</text>
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                <text>&lt;strong&gt;Essay on Seasonal Variation in Santhal Society: &lt;span&gt;An Avant-Garde Play by Jean-Frederic Chevallier&lt;/span&gt;&lt;/strong&gt;</text>
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                <text>&lt;strong&gt;&lt;strong&gt;Essay on Seasonal Variation in Santhal Society: &lt;span&gt;An Avant-Garde Play by Jean-Frederic Chevallier&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;&lt;/strong&gt;
&lt;p&gt;Date: 20 March 2018&lt;br /&gt;Time: 7.00 pm to 8.30 pm&lt;br /&gt;Venue: Open Air Theatre (in front of the VU Library)&lt;/p&gt;
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&lt;p&gt;The Department of English, Vidyasagar University cordially invites you all.&lt;/p&gt;
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                <text>&lt;strong&gt;Essay on Seasonal Variation in Santhal Society: &lt;span&gt;An Avant-Garde Play by Jean-Frederic Chevallier&lt;br /&gt;&lt;/span&gt;&lt;/strong&gt;
&lt;p&gt;Date: 20 March 2018&lt;br /&gt;Time: 7.00 pm to 8.30 pm&lt;br /&gt;Venue: Open Air Theatre (in front of the VU Library)&lt;/p&gt;
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&lt;p&gt;The Department of English, Vidyasagar University cordially invites you all.&lt;/p&gt;
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                  <text>Night of Theatre n°10 (French La Nuit des Idées), an amazing night-long open air theatre of contemporary performing arts and inventive thought, will take place in collaboration with Trimukhi Cultural Centre on March 20 2018 at Vidyasagar University Campus. Directed by Jean-Frédéric Chevallier, of the University of Sorbonne, Paris, this performance combines the tribal myth of creation and inventive philosophical ideas. All interested are invited on behalf of UGC SAP III, Phase II, Department of English, Vidyasagar University to attend this theatrical performance on the evening of 20 March 2018 in the open air theatre in front of the varsity library.</text>
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                <text>&lt;strong&gt;Night of Theatre n°10 - &lt;em&gt;Essay on Seasonal Variation in Santhal Society&lt;/em&gt;&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>&lt;strong&gt;Night of Theatre n°10&lt;/strong&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;&lt;br /&gt;&lt;/strong&gt;&lt;/em&gt;Title of the Theatre: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;/strong&gt;&lt;em&gt;&lt;strong&gt;Essay on Seasonal Variation in Santhal Society&lt;/strong&gt;&lt;/em&gt;</text>
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                <text>Night of Theatre n°10 (French La Nuit des Idées) entitled &lt;em&gt;&lt;strong&gt;Essay on Seasonal Variation in Santhal Society&lt;/strong&gt;&lt;/em&gt;, an amazing night-long open air theatre of contemporary performing arts and inventive thought, will take place in collaboration with Trimukhi Cultural Centre on March 20 2018 at Vidyasagar University Campus. Directed by Jean-Frédéric Chevallier, of the University of Sorbonne, Paris, this performance combines the tribal myth of creation and inventive philosophical ideas. All interested are invited on behalf of UGC SAP III, Phase II, Department of English, Vidyasagar University to attend this theatrical performance on the evening of 20 March 2018 in the open air theatre in front of the varsity library.</text>
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                <text>Theatre, Tribal Urban Folk Theatre </text>
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                    <text>&lt;strong&gt;Workshop on "Documentation and Digitization of&amp;nbsp;&lt;em&gt;Bodo (Mech)&lt;/em&gt;&amp;nbsp;&lt;/strong&gt;&lt;strong&gt;Cultural Texts and Languages"&amp;nbsp;&lt;/strong&gt;</text>
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                    <text>Dr. Joyjit Ghosh, Deputy Coordinator along with the Research Team is conducting the&amp;nbsp;&lt;strong&gt;Workshop on "Documentation and Digitization of&amp;nbsp;&lt;em&gt;Bodo (Mech)&lt;/em&gt;&amp;nbsp;&lt;/strong&gt;&lt;strong&gt;Cultural Texts and Languages"&amp;nbsp;&lt;/strong&gt;</text>
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                    <text>Dr. Joyjit Ghosh, Deputy Coordinator along with the Research Team is conducting the&amp;nbsp;&lt;strong&gt;Workshop on "Documentation and Digitization of&amp;nbsp;&lt;em&gt;Bodo (Mech)&lt;/em&gt;&amp;nbsp;&lt;/strong&gt;&lt;strong&gt;Cultural Texts and Languages"&amp;nbsp;&lt;/strong&gt;</text>
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                    <text>The Department of English, Vidyasagar University had undertaken a Field Trip to Vill- Basti Bazar, P.O- Paschim Satali, Dist- Alipurduar, West Bengal on 12.09. 2016 under the aegis of UGC-SAP III, DRS Phase II Project entitled "Translation, documentation, and conservation of Tribal Oral Folk Literature and Cultural Texts of West Bengal"</text>
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                    <text>&lt;strong&gt;&lt;b&gt;Festive Dance of &lt;em&gt;Bagurumba&amp;nbsp;&lt;/em&gt;&lt;/b&gt;&lt;/strong&gt;</text>
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                    <text>&lt;p&gt;The first was a dance titled &lt;b&gt;“Bagurumba”&lt;/b&gt;, which is performed by the Mech tribe in order to celebrate the onset of spring. This dance is performed to music that is based on &lt;i&gt;“panch-taal”&lt;/i&gt; or five beats.&lt;/p&gt;</text>
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                    <text>&lt;em&gt;&lt;b&gt;Satraani Moshaniya&lt;/b&gt;&lt;/em&gt;</text>
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                    <text>&lt;p&gt;This performance is a dance titled &lt;b&gt;“Satraani Moshaniya”&lt;/b&gt; or the “sword-dance”. Sri Mahesh Chandra Narjinary explained to us that this dance symbolizes the inner strength of the Mech female, and a celebration of the fact that she is equal to the Mech male in all regards.&lt;b&gt; &lt;/b&gt;&lt;/p&gt;</text>
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                    <text>The book is published related to the thrust area in Phase I of the DRS Project conducted in the Department of English, Vidyasagar University.&lt;br /&gt;&lt;br /&gt;‘An eternity of oppression’ has defined the lives of Dalits. Yet, they survive, resilient and defiant. Drawing on the works of Dalit writers, &lt;strong&gt;&lt;em&gt;Survival&lt;/em&gt;&lt;em&gt; and Other Stories&lt;/em&gt;&lt;/strong&gt; is a collection of Bangla fiction in translation, that speaks of Dalit lives lived on the edge and of suffering, negation, and revolt. &lt;br /&gt;&lt;br /&gt;A mason’s refusal to yield despite being tortured by ‘upper-caste’ people for claiming equality with them; mayhem resulting from a witch doctor’s blaming a woman for the illness of her grandchild; a zamindar being forced to drag a plough for taunting another for his ‘low’ ancestry; a penniless family’s fight for survival with a cobra coiled up in a hole full of grains; a proposal for marriage from the progressive- minded son of a corrupt politician being turned down by his ‘low-born’ lover fearing social ostracism; a sick-wielding hireling of landlords, and later of a political party, reluctantly accepting the friendship of his erstwhile Muslim adversary. Evocative of the indignities heaped on the Dalits, these stories are insightful and perceptive. They are sensitive retelling, that retains the rhythms and idioms of the original Bengali narratives.</text>
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                    <text>Indranil Acharya&#13;
Tajuddin Ahmed&#13;
Raja Basu&#13;
Achintya Biswas&#13;
Manohar Mouli Biswas&#13;
Panchanan Dalai&#13;
G.K. Das&#13;
Asis De&#13;
Angshuman Kar&#13;
Raj Kumar&#13;
Harish Narang&#13;
K. Suneetha Rani&#13;
G. N. Ray&#13;
Priyanka Srivastava&#13;
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                    <text>© Department of English, Vidyasagar University</text>
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                  <text>&lt;h2&gt;&lt;b&gt;Patua&lt;strong&gt; Pala/ Pata Pala (Scroll Painting) of Bengal&lt;/strong&gt;&lt;/b&gt;&lt;/h2&gt;</text>
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                  <text>&lt;em&gt;Patua Pala&lt;/em&gt; or &lt;em&gt;Patachitra&lt;/em&gt;, commonly known as pata is one of the most popular yet endangered performing art forms of Bengal. It usually comprises painting and an adjunct folk song. Various mythical stories are depicted on a piece of cloth, known as ‘&lt;em&gt;patta&lt;/em&gt;’ and the Patua artists perform it in front of an audience with the accompanied song.</text>
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                  <text>Chitrakar Community of Naya village, Pingla, Paschim Medinipur District of West Bengal</text>
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                  <text>Rani Chitrakar           9609066351&#13;
Swarna Chitrakar&#13;
Shyamsundar Chitrakar&#13;
Dukhushyam Chitrakar&#13;
Monu Chitrakar</text>
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                  <text>© Department of English, Vidyasagar University&#13;
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                  <text>Patachitra, Scroll Painting Performing Arts of Bengal, Performance Studies</text>
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                  <text>The Department of English, Vidyasagar University had undertaken a Field Trip to Naya Village, Pingla on 26.01.2015 under the aegis of UGC-SAP III, DRS Phase II Project entitled "Translation, documentation, and conservation of Tribal Oral Folk Literature and Cultural Texts of West Bengal"</text>
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              <text>&lt;strong&gt;&lt;em&gt;Survival and Other Stories: Bangla Dalit Fiction in Translation&lt;/em&gt; (2012) &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Towards Social Change: Essays on Dalit Literature&lt;/em&gt; (2014)&lt;/strong&gt;</text>
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                <text>Books Published in Phase-I of the UGC- SAP, DRS Project, Department of English Vidyasagar University </text>
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                <text>Books published under DRS Phase I, Dept. of English, Vidyasagar University </text>
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                <text>Two books have already been published related to the thrust area in Phase I of the DRS Project. The title of the books are: &lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Survival and Other Stories: Bangla Dalit Fiction in Translation &lt;/em&gt;(2012) &lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;&lt;strong&gt;&lt;em&gt;Towards Social Change: Essays on Dalit Literature &lt;/em&gt;(2014)&lt;/strong&gt;&lt;br /&gt;&lt;br /&gt;Both the books are published by &lt;span&gt;Orient Blackswan Pvt. Ltd. &lt;/span&gt;</text>
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                <text>UGC-SAP III DRS, Department of English, Vidyasagar University&#13;
&#13;
Ed. by Sankar Prasad Singha &amp; Indranil Acharya</text>
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                <text>Sankar Prasad Singha &amp; Indranil Acharya</text>
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                <text>© Department of English, Vidyasagar University</text>
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                <text>Bangla Dalit Literature</text>
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                <text>Fiction and Essay of Bangla Dalit Writing </text>
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                  <text>The Undocumented and Unidentified Riparian Community named Jetor</text>
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                  <text>Endangered Folk Cultural Heritage of the Jetors</text>
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                  <text>The Jetors comprise a community living incognito on the edges of the rivers, Kangsabati and Subarnarekha. They find no mention in the government documents but their "presence" in the district of Paschim Midnapore and Jhargram is a palpable reality. Before Dr Debdas Roy embarked on his exploration regarding the cultural specificities of the Jetor community under the aegis of ICSSR, the only scholar to have engaged with the aforementioned community is Dr Nirmalendu De who worked under the worthy supervision of Professor Tushar Chattopadhyay of the University of Calcutta. It is high time to lend visibility to this hitherto neglected community upon whom centuries of indignities and humiliation lie heaped.&#13;
&#13;
Disclaimer: The denomination "Jetor" has been borrowed from a section of the elderly persons of the Jetor community and also from Dr Nirmalendu De, my predecessor in the field of research about Jetor community.</text>
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                  <text>Gomuriapal, Banstala, Sarpal, Budra, Paharipara, Bhatpara, Dherua, Sankhakhula, Wallipur, Madanmohanchowk, Rupnarayanpur, Bhasra, Goaldanga and some other villages located on the banks of the rivers, Kangsabati and Subarnarekha.</text>
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                  <text>Department of English Literature, Language and Cultural Studies, Vidyasagar University</text>
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                  <text>© Department of English Literature, Language and Cultural Studies, Vidyasagar University and ICSSR</text>
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                  <text>Indigenous Folk Cultural Studies with special reference to Jetor community </text>
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                  <text>Local dialect close to Kurmi Mahato language community</text>
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                  <text>Dr Debdas Roy undertook a field visit to the Jetor villages documenting the folk beliefs and rituals as part of his ICSSR Minor Research Project activities.</text>
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                  <text>The folk culture of a community who are spatially segregated and live on the edges of the waterbodies especially the rivers, Kangsabati and Subarnarekha.</text>
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                <text>Chanch: The Traditional Craft of the Jetor Community</text>
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                <text>Lives of the Jetors</text>
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                <text>Gour Maity from the Jetor community showcasing a “Chanch”. Jetor people weave “Chanch” with thatch-grass collected from the bank rivers of Kangsabati and Subarnarekha, the two rivers on the banks of which Jetor people live.</text>
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                <text>Sarpal, Paschim Medinipur, P.S. – Kharagpur </text>
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                <text>Department of English Literature, Language and Cultural Studies, Vidyasagar University</text>
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                <text>Dr. Debdas Roy, Associate Professor, Department of English Literature, Language and Cultural Studies, Vidyasagar University and the Director of ICSSR Minor Research Project 2023-24</text>
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                <text>Mr. Sourav Singha, Field Investigator, ICSSR Minor Research Project 2023-24, Department of English Literature, Language and Cultural Studies, Vidyasagar University</text>
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                <text>Lives of the Jetors</text>
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              <description>The topic of the resource</description>
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                  <text>The Jetors comprise a community living incognito on the edges of the rivers, Kangsabati and Subarnarekha. They find no mention in the government documents but their "presence" in the district of Paschim Midnapore and Jhargram is a palpable reality. Before Dr Debdas Roy embarked on his exploration regarding the cultural specificities of the Jetor community under the aegis of ICSSR, the only scholar to have engaged with the aforementioned community is Dr Nirmalendu De who worked under the worthy supervision of Professor Tushar Chattopadhyay of the University of Calcutta. It is high time to lend visibility to this hitherto neglected community upon whom centuries of indignities and humiliation lie heaped.&#13;
&#13;
Disclaimer: The denomination "Jetor" has been borrowed from a section of the elderly persons of the Jetor community and also from Dr Nirmalendu De, my predecessor in the field of research about Jetor community.</text>
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                  <text>Gomuriapal, Banstala, Sarpal, Budra, Paharipara, Bhatpara, Dherua, Sankhakhula, Wallipur, Madanmohanchowk, Rupnarayanpur, Bhasra, Goaldanga and some other villages located on the banks of the rivers, Kangsabati and Subarnarekha.</text>
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              <description>Information about rights held in and over the resource</description>
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                  <text>© Department of English Literature, Language and Cultural Studies, Vidyasagar University and ICSSR</text>
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                  <text>Indigenous Folk Cultural Studies with special reference to Jetor community </text>
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              <description>A language of the resource</description>
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                  <text>Local dialect close to Kurmi Mahato language community</text>
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                  <text>Dr Debdas Roy undertook a field visit to the Jetor villages documenting the folk beliefs and rituals as part of his ICSSR Minor Research Project activities.</text>
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                  <text>The folk culture of a community who are spatially segregated and live on the edges of the waterbodies especially the rivers, Kangsabati and Subarnarekha.</text>
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                <text>Joldhala- one of the popular religious festivals</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>Love of River and Love of Baba (Shiva)</text>
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                <text>Women from different Jetor villages located at considerable distance are united by their common love of river (Kangsabati) and Baba (Lord Shiva), on whose head they pour Holy River Water twice a year. (Bhatpara, Paschim Medinipur) </text>
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                <text>ICSSR Minor Research Project 2023-24</text>
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                <text>Bhatpara, Paschim Medinipur</text>
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                <text>Department of English Literature, Language and Cultural Studies, Vidyasagar University</text>
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                <text>Dr Debdas Roy</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>© Department of English Literature, Language and Cultural Studies, Vidyasagar University and ICSSR</text>
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                <text>JPG Image file</text>
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            <name>Language</name>
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                <text>Local dialect close to Kurmi Mahato language community</text>
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                <text>Religious Ceremony</text>
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                <text>Dr Debdas Roy undertook a field visit to Bhatpara, Paschim Medinipur as part of his ICSSR Research Project activities.</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Folk Religion of the Jetor Community</text>
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                    <text>Art of Painting a '&lt;em&gt;Patachitra&lt;/em&gt;'</text>
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                    <text>&lt;em&gt;Patachitra&lt;/em&gt; Painting</text>
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                <description>An account of the resource</description>
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                    <text>A Patua artist from Chitrakar community is painting a &lt;em&gt;pata&lt;/em&gt; i.e., scroll painting</text>
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                    <text>UGC-SAP III, DRS Phase II, Department of English, Vidyasagar University</text>
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                <name>Source</name>
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                    <text> Naya, Pingla, Paschim Medinipur</text>
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                <description>An entity responsible for making the resource available</description>
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                    <text>UGC-SAP III, DRS Phase-II, Department of English, Vidyasagar University</text>
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                    <text>26.01.2015</text>
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                    <text>Jamela Chitrakar</text>
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                <description>Information about rights held in and over the resource</description>
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                    <text>© Department of English, Vidyasagar University</text>
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                <description>A related resource</description>
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                    <text>Patachitra, Scroll Painting Performing Arts of Bengal, Performance Studies</text>
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                    <text>The Department of English, Vidyasagar University had undertaken a Field Trip to Naya Village, Pingla on 26.01.2015 under the aegis of UGC-SAP III, DRS Phase II Project entitled "Translation, documentation, and conservation of Tribal Oral Folk Literature and Cultural Texts of West Bengal"</text>
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                    <text>Folk Performance/ Folk Drama of Bengal&#13;
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                    <text>A Piece of &lt;em&gt;Patachitra&lt;/em&gt; depicting goddess Manasa</text>
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                    <text>&lt;em&gt;Manasa Pata&lt;/em&gt;, alternatively known as &lt;em&gt;Behula Bhasan&lt;/em&gt;</text>
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                    <text>The story of 'Manasa Mangal' is being presented in this patachitra.</text>
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                    <text>UGC-SAP III, DRS Phase-II, Department of English, Vidyasagar University&#13;
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                    <text>Rani Chitrakar</text>
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                <description>Information about rights held in and over the resource</description>
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                    <text>© Department of English, Vidyasagar University&#13;
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                    <text>The Department of English, Vidyasagar University had undertaken a Field Trip to Naya Village, Pingla on 26.01.2015 under the aegis of UGC-SAP III, DRS Phase II Project entitled "Translation, documentation, and conservation of Tribal Oral Folk Literature and Cultural Texts of West Bengal"&#13;
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                  <text>&lt;em&gt;&lt;strong&gt;Beni Putul&lt;/strong&gt; &lt;/em&gt;/ “Beni” Puppet Theater</text>
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                  <text>&lt;em&gt;&lt;strong&gt;Beni Putul&lt;/strong&gt; &lt;/em&gt;/ “Beni” Puppet Theater</text>
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                  <text>Beni Putul or alternatively known as Glove Puppetry is one of the most popular folk art forms of Purba Medinipur, West Bengal. The puppeteers usually perform the pala with the manipulation of fingers. There are two types of beni putul performance: One that deals with the mythical issues and Bangla folk stories; and another deals with the contemporary issues. </text>
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                  <text>UGC-SAP III, DRS Phase II, Department of English, Vidyasagar University</text>
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                  <text>Radhapur village, P.S. Bhupatinagar, P.O- Bayanda, Dist.- Purba Medinipur </text>
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                  <text>Sri Basanta Kumar Ghorai        9732957934&#13;
&#13;
Sri Sarad Kumar Ghorai &#13;
Sri Ramkrishna Dolai</text>
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                  <text>© Department of English, Vidyasagar University&#13;
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                  <text>Puppetry, Beni Putul, Glove Puppetry, Performing Arts of Bengal, Performance Studies</text>
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                  <text>The Department of English, Vidyasagar University had undertaken a Field Trip to Radhapur village, P.S. Bhupatinagar, P.O- Bayanda, Dist.- Purba Medinipur on 02.01. 2015 under the aegis of UGC-SAP III, DRS Phase II Project entitled "Translation, documentation, and conservation of Tribal Oral Folk Literature and Cultural Texts of West Bengal"</text>
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              <text>The complete original Bengali text of the puppet song - 'On Education and Its Importance in Daily Life', accompanied by an IPA transcription of the same.</text>
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                <text>The complete original Bengali text of the puppet song - &lt;strong&gt;'On Education and Its Importance in Daily Life', &lt;/strong&gt;accompanied by an IPA transcription of the same.</text>
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Sri Sarad Kumar Ghorai&#13;
Sri Ramkrishna Dolai</text>
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                <text>© Department of English, Vidyasagar University</text>
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                <text>The Department of English, Vidyasagar University had undertaken a Field Trip to Radhapur village, P.S. Bhupatinagar, P.O- Bayanda, Dist.- Purba Medinipur on 02.01. 2015 under the aegis of UGC-SAP III, DRS Phase II Project entitled "Translation, documentation, and conservation of Tribal Oral Folk Literature and Cultural Texts of West Bengal"</text>
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